Monday, 30 August 2010

Musical experiments with HTML5

The Official Google blog has just announced an HTML5 Chrome Experiment in association with Canadian indie rock band, Arcade Fire. This experiment appears to function as a marketing exercise for both Chrome and Arcade Fire; although it does also demonstrate that Google has a commitment to HTML5 (and it appears to be part of a wider partnership with Arcade Fire, as the video below indicates).

HTML5 is still currently under development but is the next major revision of the HTML standard (as distinct from the recent incorporation of RDF, i.e. XHTML+RDFa). HTML5 will still be optimised for structuring and presenting content on the Web; however, it includes numerous new elements to better incorporate multimedia (which is currently heavily dependent on third party plug-ins), drag and drop functionality, improved support for semantic microdata, among many, many other things...

The Chrome Experiment entitled, 'The Wilderness Downtown', uses a variety of HTML5 building blocks. In their words:
"Choreographed windows, interactive flocking, custom rendered maps, real-time compositing, procedural drawing, 3D canvas rendering... this Chrome Experiment has them all. "The Wilderness Downtown" is an interactive interpretation of Arcade Fire's song "We Used To Wait" and was built entirely with the latest open web technologies, including HTML5 video, audio, and canvas."
Being an 'experiment' it can be a little over the top, and I suppose it isn't an accurate reflection of how HTML5 will be used in practice. Nevertheless, it is certainly worth checking out - and I was quite impressed with canvas. An HTML5 compliant browser is required, as well as some time (it took 7 minutes to load!!!).

Monday, 23 August 2010

Jimmy Reid and the public library: an education like no other

Jimmy Reid was laid to rest last week. The obituaries have been plentiful and praising. As someone who is interested in the industrial history of Britain, I have always been especially interested in the industrial heritage of my home town of Glasgow (as well as my adopted home of Liverpool), and my special interest in Glasgow shipbuilding made Jimmy Reid's passing all the more sad...

Poster of shipyard workers at Titan. Image: G.Macgregor, CC rights.
The size of shipbuilding on the Clyde back in the glory days is today unimaginable. Several industrial cities in the UK had shipyards, Merseyside included; but just as Liverpool eclipsed all other cities as a port in the Victorian period, so Glasgow and the Clyde eclipsed all others in shipbuilding during the same era, producing 30,000 ships during 19th and 20th centuries. This equated to a third of all ships in the entire world, more than all the shipyards in Britain combined. It's a staggering statistic and earned Glasgow the title of "shipbuilding capital of the world".

I recently visited the former site of John Brown & Company Shipbuilders. The builder of choice for Cunard Line, John Brown was one of the 40 shipyards that prospered on the Clyde and produced some of the most famous vessels the world has ever seen. The Queen Mary, Queen Elizabeth, the Lusitania, the Aquitania, the Britannia, HMS Hood, the QE2 – they were all built there. And although it's been turned into an excellent tourist attraction with the help of EU funding, it remains a tragically haunting place. 100 hectares of open space. The largest of the slipways remain, upon which the QE2 would have been launched into the Clyde for fitting out. The classic Titan cantilever crane has been restored too, giving a tiny glimpse of the scale and sheer majesty of the vessels being built at the yard. But it was in the final years of the 'good times' at the shipyards that Jimmy Reid grew up.

RMS Queen Mary at Long Beach, California, now serving as a museum and hotel. Image: WPPilot, Wikimedia Commons, CC rights.
Reid was many things in his time, including a trade unionist, communist, Labour Party member, journalist and Rector of the University of Glasgow; however, he rose to international prominence in the early 1970s leading the Upper Clyde Shipbuilders (UCS) 'work-in' at Govan, Glasgow. The good times were over for British heavy industry, and this included marine engineering on the Clyde too. Increasing competition from abroad and a lack of investment meant that the yards increasingly required a state subsidy to complete their orders. UCS had gone into receivership and the Conservative government (led by Edward Heath) had decided that UCS - itself an amalgamation of five major Clyde shipyards several years earlier - should operate without state subsidy. The removal of these subsidies would immediately extinguish at least 6,000 jobs. Rather than adopt traditional forms of industrial action (e.g. strikes, sit-ins, etc.), the union leadership - spearheaded by Reid - decided to stage a 'work-in'. The union leadership were determined to complete the existing order book of ships and complete them to their traditional high levels of craftsmanship. Only this way would they dispel the myth of the 'work-shy' shipbuilder; only this way would they demonstrate their superior work ethic, project the best image to the British public, and demonstrate the viability of the yards. Said Reid famously, when addressing the shipyard workers:
"We are not going to strike. We are not even having a sit-in strike. Nobody and nothing will come in and nothing will go out without our permission. And there will be no hooliganism, there will be no vandalism, there will be no bevvying because the world is watching us, and it is our responsibility to conduct ourselves with responsibility, and with dignity, and with maturity."
This unique industrial action had integrity and was successful in the short-term, attracting international attention, sympathy and financial support (most notably from John Lennon and Yoko Ono). It is also why BAE Systems today have two ex-UCS yards on the Clyde, currently building the brand new high-end Type 45 Destroyers for the Royal Navy. Ultimately though, shipbuilding in Glasgow and on the Clyde today is a shade of its former self.
Titan cantilever crane at the former John Brown shipyard, Clydebank. Image: G.Macgregor, CC. rights
Jimmy Reid was born into a shipbuilding family. He left school at the age of 14 and pursued an apprenticeship in shipyard engineering. Despite leaving school with the minimum education possible, Reid went on to become one of the most talented political figures, orators, political thinkers and political leaders in British politics. He was fascinated by politics, reading about it constantly and studying political texts in the local public library almost every day. Sir Alex Ferguson – always astonished at Reid's knowledge - said at Reid's funeral:
"Our education was football, his education was the Govan library. He was never out of there."
Public libraries are often considered "the people's university". When Reid was made Rector of the University of Glasgow, "pompous" academics would ask which university he attended, to which Reid would reply: "Govan Library"! The public library moulded Reid, provided an education like no other and helped him develop an intellect which Sir Michael Parkinson described as "formidable". Reid personified the public library mission of education and lifelong learning available to all, regardless of age, skill level, or ability to pay. I have many issues with the running of public libraries today (some of which I might discuss in a future blog), but their importance in creating people like Jimmy Reid across Britain, and elsewhere in the world, can never be forgotten. And I'm not necessarily talking about people of Reid's political persuasion; but the importance of providing fantastic opportunities for education, enlightenment and betterment – and escape. The wealth of the Govan area during its shipbuilding heyday is reflected in its public buildings. The magnificent Town Hall, for example, with its neo-classical decoration, overlooking the quasi-futuristic architecture of Glasgow's redeveloped waterfront (and now used as a recording HQ for Franz Ferdinand). And Govan Public Library (or Elder Park Library as it is officially known) is no exception; a beautiful Victorian listed building situated within Elder Park. What a great location to build a public library; inviting local residents to escape the noise and dirt of shipbuilding and marine engineering to enjoy its salubrious surroundings and architectural splendour while reading an improving book! The Victorians had style - and they recognised the importance of the public library as an institution.
Elder Park Library, front elevation. Image: mike.thomson75.

It is a dangerous time for public libraries. Because they are such established institutions, people often take for granted that they will always exist, come rain or shine. Yet, the role of public libraries as the people's university remains as important as ever, not only to promote social inclusion and enable vulnerable people in society to engage with civil society, but providing opportunities for lifelong learning in dire economic circumstances. If some should go, where will the Jimmy Reids of tomorrow go? Some will argue that the increased penetration of broadband (circa 65%) makes some public libraries dispensable, but what about the remaining 35%, or those that are suddenly made redundant and can no longer afford their broadband bill? Where do they go if they want to develop knowledge in a particular discipline, or learn about IT? And just because someone has broadband does not mean that they can get access to all the information they might require (bibliographic databases?), or that the information will be any good. The Telegraph reckons Jimmy Reid's life would make a great biopic. I agree, so long as the splendour of Elder Park Library is maintained and we have plenty clips of Jimmy perusing the book stacks.

Thursday, 19 August 2010

Where are the WarGames students?

This morning I happened to enjoy "What's the point of ..." on BBC Radio 4. Motivated by an imminent spending review and inevitable cuts – as well as recent celebrations concerning the Battle of Britain – Quentin Letts put the RAF under some scrutiny. What's the point of the RAF in 2010? The issues and debates are well rehearsed, e.g. Are über futuristic fighter jets required for the conflicts the UK is likely to be engaged in? The outcome of the debate was inconclusive because few people can predict the types of conflicts that may emerge in the future.

One type of warfare which all commentators agreed was potentially imminent is cyber warfare. Not only is such warfare potentially imminent, but the UK (along with other NATO allies) is completely unprepared for a sophisticated or sustained attack. According to the programme only 24 people at the MoD are actively working on cyber security(!). Commentators agreed that funding had to be diverted from other armed services (i.e. RAF) to invest in cyber security. This means more advanced computing and information professionals to improve cyber security, but also to operate un-manned drones, manipulate intelligence data, and so forth. 'More Bill Gates-type recruits and fewer soldiers' was the message.

Although it wasn't given treatment in the programme, the conundrum for our cyber security – as well as our economy - is the declining numbers of students seeking to study computing science and information science at undergraduate/postgraduate level. This is a decline which is reflected more generally in the lack of school leaver interest in science and technology, something which – unless you have been living in a cave – the last Labour government and the current coalition are attempting to address. With the release of A-level results today and the massive demand for university places this year, some universities have been boosted by government grants designed to recruit extra students in science and technology. The coalition, in particular, sees it as a way of improving economic growth prospects; but it seems that the need to reverse this trend has become even more urgent given that we only have a small mini-bus full of 'cyber soldiers' – and, let's face it, five are probably on part-time contracts, two will be on maternity leave and one will be on long term sick leave.

It's a far cry from the 1980s Hollywood classic, 'WarGames' (1983). WarGames follows a young hacker (Matthew Broderick) who inadvertently accesses a US military supercomputer programmed to predict possible outcomes of nuclear war. Taking advantage of the unbelievably simple command language interface ("Can we play a global thermonuclear simulation game?" types Broderick) and Artificial Intelligence (AI) light years ahead 2010 state of the art, Broderick manages to initiate a nuclear war simulation believing it to be an innocent computer game. Of course, Broderick's shenanigans cause US military panic and almost cause World War III. I remember going to the petrol station with my father to rent WarGames on VHS as soon as it was available (yes – in the early 1980s petrol stations were often the place to go for video rentals! I suppose the video revolution was just kicking off...) and being thoroughly inspired by its depiction of computing and hacking. I wanted to be a hacker and was lucky enough to receive an Atari 800XL that Christmas, although programming soon gave way to gaming. Pac-Man anyone? Missile Command was pretty good too...